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10/31/2012

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David

Why on earth would we want to keep that noxious baby?

It’s undoubtedly true that some people feel the absence that Holloway discusses and that David Loy calls “lack,” but these people—many of them ex-Catholics, unsurprisingly—are simply nostalgic for the security that religion gave them back when they were credulous children. Apparently they have forgotten about the authoritarianism, sexism, sexual Puritanism, hatred of homosexuals, and other awfulness. Apparently they liked not having to do much thinking, because the religious authorities did it all for them, and thus absolved them from having to take responsibility for their moral decisions.

Spufford seems to think that it makes sense to try to recapture the security that religious fairy tales gave us—we don’t really die; sky gods can forgive us and make the bad things we do okay; there’s a ghost that lives inside our bodies that is who we really are; and on and on—because it makes “emotional sense.” Christians would call this “faith.” To take something on faith means to believe it not because there is evidence that it is true, but because it would be nice if it were true, or because it makes us feel good to imagine that we live in a world where it is true.
This kind of thinking, or rather, not thinking—believing whatever we want for no particular reason—gets us into all sorts of trouble. To offer just one glaring example, George W. Bush—an ardent Christian—felt that it made emotional sense to believe that Iraq had weapons of mass destruction. He felt that the abundant evidence that Iraq didn’t have WMD presented by Hans Blix and others was irrelevant: it didn’t make him feel good. I’m pretty sure Julian would agree with me that the world would be better off if George W. Bush had ignored his gut (perhaps an antacid would have helped?) and paid attention to the evidence.

De Botton apparently believes that even if we dispense with the sky god part of it, religion has been, and can still be, of use. He says it can help us live together harmoniously, and I guess he presents examples where he believes it has done so. It wouldn’t be hard, however, to think of hundreds of counter-examples, where people’s commitment to what makes emotional sense to them, to their faith, has lead to all sorts of horrors. If nothing else, religion always defines an in-group and an out-group, believers and non-believers, the saved and the damned, and that is not the best starting point for harmonious communal relations.

DeBotton goes on, Julian reports, to suggest that engaging in religious practices, even when we don’t believe in sky gods, somehow helps us overcome the setbacks life hands us. That is, we pray to nothing (though we know that even prayer by the sincerely religious is ineffective), enjoy religious fairy tales (and some of them are good stories), subject ourselves to religious education (without believing in the religious indoctrination that is at the core of religious education) in the hope that doing these silly things will somehow make us better able to cope with, say, the death of a loved one or the loss of a job.

No thanks. It’s time to throw out the baby, and the babyish feel-good “thought” that DeBotton, I guess, is advocating along with the smelly bathwater to which it is inextricably bound.

Julian Bamford

Holy moley. I didn’t mean to suggest that De Botton is talking up a religion shorn of a sky god but otherwise intact, with an ingroup and outgroup, saved and damned, and praying to nothing for comfort. What he does offer is a smorgasbord of suggestions for satisfying the needs once addressed by religion: choreographed communal meals as a way to turn strangers into friends; eloquent and repetitious, thus memorable, reminders of life’ virtues in school rather than church, and advertising billboards shilling kindness and forgiveness (“There is… wisdom in accepting that we are in most situations rather simple entities in want of much the same kind, firm, basic guidance as is naturally offered to children and domestic animals” (p. 77); secular meditation to address “our need to impose greater discipline on our inner lives” (p. 158); public bulletin boards to express our frustrations (“The gravest problems have no solutions, but it would help never again to have to labour under the illusion that we have been singled out for persecution” (p. 193); and on and on. Babyish and feel-good maybe, but I think way more useful than what we have now: a republican, hands-off, pull yourself up by your own bootstraps attitude to mental health in the general population.

David

Sorry to have misunderstood. That's what happens when I respond to something at third hand.

I'm probably still misunderstanding, but most of us, it seems to me, haven't thrown out any of the things that de Botton thinks we have.

If we want to meet new people over a communal meal we sit at the counter at our local izakaya or pub. The meetings aren't choreographed, but spontaneous, and all the more fun for that.

If we want to learn more about our similarities (and differences), or to be motivated to be more kind, we learn more about other people, perhaps by reading books, or perhaps simply by paying attention to the folks around us. These things are not simple, and are therefore unlikely to be adequately expressed on a billboard.

Of course if one wants to be treated "firmly," "like a child or an animal," maybe slogans, maxims, commandments, and the like are the way to go. Actually, the Catholic Church would be a perfect fit.

Myself, I'd prefer to be treated like an adult human being.

Likewise the best way to grasp that it is "[an] illusion that we have been singled out for persecution," is to absorb as many novels, movies, ethnographies, journalistic accounts, etc. of other people's lives. Most of us privileged first-worlders will quickly learn that not only haven't we been singled out for persecution, we've actually been fortunate enough to be born into lives that are, for the most part, pleasant.

I wish that dealing with mental health issues were as simple as putting snappy slogans on billboards, but I think I'd prefer a good health care system for people whose problems are severe, and for those of us less severely afflicted, those of us who might occasionally feel a bit blue, I would prescribe: beer, friendship, exercise, and nature.

And again, I'm responding to a book I haven't read, so I'm probably getting it wrong, but isn't de Boton advocating exactly the Republican, hands-off, pull yourself up by your own bootstraps approach as the Republicans? His sort program seems to me exactly what the Republicans are offering the general population (though often with baby still floating in religious bathwater): pull yourself up by your religious (or quasi-religious in de Botton's case) bootstraps, because the government sure isn't going to pony up any money for, say, psychiatric care?

Julian Bamford

There’s nothing in Religion for Atheists that makes me think its author would disagree with you that books can be salutary and pubs convivial. And that psychiatric problems may benefit from psychiatric care. So as not to further muddy the waters, I’ll let him speak: “Religions [are] repositories of a myriad ingenious concepts with which we can try to assuage a few of the most persistent and unattended ills of secular life.” He “hopes to rescue some of what is beautiful, touching and wise from all that no longer seems true.” “It must be possible to remain a committed atheist and nevertheless find religions sporadically useful, interesting and consoling—and be curious as to the possibilities of importing certain of their ideas and practices into the secular realm.” “In a world beset by fundamentalists of both believing and secular varieties, it must be possible to balance a rejection of religious faith with a selective reverence for religious rituals and concepts.” And his book convinced me that life would be richer for it.

David

I guess I quibble with what I take to be the author's assumption that practices such as enjoying a convivial meal at the counter at an izakaya, or learning enough about other people to believe in their pain, somehow derive from religious rituals and concepts. True, religious people may have done these things (and it's possible they did them because they were religious) but so what?

You can practice these things without any reference to religion—and people have been doing so for a long time. More to the point in the present discussion, you can, like de Botton, advocate these things, but do so without any reference to the faith of our fathers. What de Botton feels he adds by linking the life-affirming things human beings have been doing or trying to do forever with superstition and mythology is mysterious.

(And some of the practices, if I've understood them correctly, seem just silly, most of all the slogans on signs: banners strung across our roads reminding us to "KEEP ON THE SUNNY SIDE" or that "TODAY IS THE FIRST DAY OF THE REST OF YOUR LIFE," or encouraging us to "HAVE A NICE DAY!" don't seem to me quite as helpful as, I guess, they do to de Botton.)

My uncharitable (and probably unfounded) suspicion is that de Botton had an idea for a self-help book, but that since self-help books are intellectually rather down-market he figured he'd better graft on something to make it more intellectually respectable, and religion was the graft he hit upon. (His back catalog suggests that he's always fancied himself a bit of a philosopher.)

Now, because I've decided to revive the ancient religious custom of sharing bread with our fellow men and women, I'm off to make dinner for my wife.

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Books David Finished in 2013

  • Barry Eisler: Winner Take All
    Well, I said I was hooked on Eisler's John Rain series. This one was good too, with Macau and Rio de Janiero added along with increasing complexity in the assassin's character. A quality thriller.
  • Barry Eisler: A Lonely Resurrection (previously published as Hard Rain and Blood from Blood) (John Rain series) (Volume 2)

    Barry Eisler: A Lonely Resurrection (previously published as Hard Rain and Blood from Blood) (John Rain series) (Volume 2)
    This is the second I've read in Barry Eisler's series about assassin John Rain, and I'm afraid I'm hooked. They're well written, his evocation of Tokyo rings true, and his protagonist is interesting. It seems odd to suggest that the actions of a character who is a cold-blooded assassin could be morally ambiguous, and in most novels like this he would not be; he would be either a good guy--his assassinations were somehow justified--or a bad guy--defined as such because of his assassinations. Rain moves back and forth between those camps: sometimes he's only in in for the money, but thinks he's at least not in the pay of absolute evil. Other times the people he kills are absolutely evil, so the killings could possibly be defined as heroic. Other times somebody irritates him, and ends up with a broken neck. In keeping his protagonist wondering about whether he's doing the right thing, whether he could choose to do otherwise, and whether he could atone for what he's done, he keeps us, his readers, guessing about how we should feel. This places the book a rung up from the run-of-the-mill.

  • Theodora Keogh: The Double Door

    Theodora Keogh: The Double Door
    Though not quite as coldly elegant as The Tattooed Heart, Theodora Keogh's The Double Door is another excellent short novel that belongs on your "we forget how weird the '40s and '50s in the USA were" shelf. The double door of the title is between two buildings in New York City. The first is occupied by a family made up of a neurotic and unlovable mother, a girl with a heart of ice who is her 12-year-old daughter, and the girl's father, a South American gigolo who passes himself off as European nobility. The other is where the nobleman indulges in debauchery with a select circle of friends augmented by young men picked up off the street. That one of this gang is a monk on leave from the monastery only adds to the gothic tone of the book. It's not surprising that one of the few positive reviews Patricia Highsmith ever wrote was of one of Keogh's novels. Fans of Highsmith's cold eye will certainly enjoy her work.

  • Roz Kaveney: Rituals - Rhapsody of Blood, Volume One

    Roz Kaveney: Rituals - Rhapsody of Blood, Volume One
    This is a well-written fantasy—largely urban—about two heroines who, mostly independent of each other, set about removing evil-doers from the world. Both of the heroines are, perhaps, a bit too heroic—they hardly seem challenged by encounters even with monumental evil—but Kaveney's intelligence saves the book. She manages to weave together lots of the world's mythologies (she writes hilariously about Judeo-Christian mythology in particular) and augment them with her knowledge of music, opera, history and literature to produce a fantasy more than usually engaging.

  • Dr. Kenjiro Setoue: Doctor Stories from the Island Journals of the Legendary Dr. Koto

    Dr. Kenjiro Setoue: Doctor Stories from the Island Journals of the Legendary Dr. Koto
    Dr. Setoue, a successful surgeon, took a temporary job at a clinic on a remote Japanese island in the South China Sea. He intended to stay six months, but has ended up spending his life in that remote place and caring for the people there. Setoue's Island Journals are unexciting, and that is as it should be. He does what needs to be done, and writes about it simply, but in a way that helps us to understand why he remains with the aging islanders, and why they have come to trust and depend on him. He is, it is clear, a good man.

  • Theodora Keogh: The Tattooed Heart
    Readers of Dawn Powell must be grateful to Gore Vidal for bringing that, for a time, forgotten writer to our attention. Unfortunately, although she surfaces now and then on the Internet, Theodora Keogh has yet to find such a high-profile champion. That's a shame, because The Tattooed Heart alone demonstrates that she is worthy of our attention. It is the story of a chaste, though always simmering, first love between a twelve-year-old boy and a fifteen-year-old girl, a summer romance destroyed by adults and adulthood. Most of the story takes place on a New England estate with lots of woods for the young people to roam in, and the atmosphere is almost gothic: accompanying the young lovers one sinks into Keogh's world as into a dream. Published in 1954, the novel remains compelling. Surely it, and the rest of Keogh's work, are worthy of reissue? NYRB, are you listening?
  • Tristan Garcia: Hate: A Romance: A Novel

    Tristan Garcia: Hate: A Romance: A Novel
    Tristan Garcia's Hate: A Romance is about the cultural, political, and intellectual life of France—which is to say Paris—in the last two or three decades. Since that life can be seen as a series of conversations (also arguments, shouting matches, and hissy fits) this is appropriate: we never quite know what Garcia thinks about AIDS, Israel and Palestine, head scarves on Moslem women, Internet culture, or any of the rest of the issues that he, or rather his characters, are on about. We do see them loving each other, and thanks in large part to a sort of man without qualities from the provinces, hating each other, and doing their best to destroy each other, before the novel's end. The book is compelling, though thanks to the odiousness of this interloper, at times it is hard to read. Hate is the 27-year-old author's first novel (he's also published a book of philosophy), a fact that makes it all the more impressive.

  • Nicholson Baker: The Anthologist: A Novel

    Nicholson Baker: The Anthologist: A Novel
    Nicholson Baker is in top-form in this novel. He combines two of his modes: avuncular observer of the minute and often missed and ranter at a society that seems to want to discard everything old. In this case Baker, or rather his protagonist, Paul Chowder (Baker noted in a recent Paris Review interview that his writing is eighty percent autobiographical) rants at what he feels was a wrong turn taken by poetry in the Pound era: the rejection of rhyme. One may not agree with Baker/Chowder's conservative take on what poetry should be, but one will learn a lot about poetry, and, as with all Baker's books, about life from this book.

  • Martin Solares: The Black Minutes

    Martin Solares: The Black Minutes
    I remember how exciting it was, back in the '70s, to discover Gabriel Garcia Márquez and other Latin American writers who seemed to offer a whole new way of writing fiction. Sure, magical realism, as Márquez's style came to be called, was overdone in the years to follow by the master's epigones, and sure it's a style that's easy to parody, but at the time it was pure gold. Martín Solares is no magical realist, but in The Black Minutes he gives us a narrative that is, in its fecundity, reminiscent of the Latin American Boom . He grafts his tale—a detective story within a detective story—onto a police procedural, and gives us something that transcends the genre to such an extent that it has to be considered something else: literature at its most rip-roaring.

  • Sara Gran: Claire DeWitt and the City of the Dead

    Sara Gran: Claire DeWitt and the City of the Dead
    A private eye novel set in post-Katrina New Orleans, Sara Gran's Claire DeWitt and the City of the Dead is, with its odd mix of the occult with the mean streets we've come to expect, entirely original. This is the first in what will surely be a series, and I, for one, am eager to follow the further adventures of Ms. DeWitt.

Books Julian Read Recently

  • Ian McEwan: Sweet Tooth

    Ian McEwan: Sweet Tooth
    [Skull, no, Skillduggery] McEwan’s latest and surprisingly gentle novel paints a vivid picture of 70s Britain. There are also interesting insights into both the mysterious world of the MI5, and the life of a novelist. The whole thing is a little off kilter, (rather as late Woody Allen movies tend to be). Is it because McEwan is less than competent at channeling a female protagonist/narrator? Suffice it to say, all is explained. Extremely clever it is. Fairly entertaining, too, but--to this reader--less than completely satisfying. (***)

  • Edmund de Waal: The Hare with Amber Eyes: A Hidden Inheritance

    Edmund de Waal: The Hare with Amber Eyes: A Hidden Inheritance
    A English potter, descended from a rich, Jewish family that was dispersed and dispossessed of everything in Hitler’s Europe leading up to World War II, traces the history of the one remaining family heirloom: a collection of antique netsuke. De Waal brings the family members and their lives, and the places—Odessa, Paris, Vienna, Tokyo--and times they lived in, to vivid life. Along with this pleasure is a harrowing account of anti-Semitism. Thank you, C and L, for recommending this. I enjoyed it deeply and learned a lot from it. (*****)

  • Tom Lubbock: Until Further Notice, I Am Alive

    Tom Lubbock: Until Further Notice, I Am Alive
    Our own death is absolutely inconceivable: it’s a koan as inexplicable as one hand clapping. This is made abundantly clear in Tom Lubbock’s death memoir, written while a brain tumor gradually takes his language and his life. We all face death; it cannot be faced; this book dives into that paradox. Lubbock mentally thrashes this way and that, trying to grasp death and to come to terms with it. It’s an endless, impossible process. Round about the 80-page mark, it brought me (not him) to the exhausted realization that the present moment is the only refuge. That death doesn't exist apart from life. This book was a valuable meditation. (****)

Films Julian Watched Recently

  • Amour
    [Life’s last act] "Amour" is about a loving couple in old age. It’s beautifully made and acted, but watching it made me miserable and frustrated, in the same way as watching a film about slavery, or the persecution of, let’s say, gay people. I think choosing the manner of one’s own death is the next taboo to be overcome, and this film is a useful contribution to the debate. After seeing director Michael Haneke’s "Cache", I knew better than to expect a tale well told, and here we have odd digressions, and the fate of a main character unexplained. (***)
  • Lincoln
    [What a tale!] Lincoln and the abolition of slavery didn’t figure in my (British) history classes, so the first six words of this sentence were the extent of my knowledge. A (Canadian) friend found the account a little dry, and an (American) friend fell asleep over the DVD. But I was riveted, having no idea how the apparently impossible became possible through the intelligence and stubbornness of a president, or how the story played out against the background of a civil war still in progress, political venality, and the prevailing idea that full humanity extended only as far as white males. The script sensibly avoids offending modern sensibilities by not employing the racial epithets of the time in the name of authenticity. An amazing and inspiring story told with understated bravura. (****)
  • Cloud Atlas
    [A banquet of stories] On returning home, I was asked if Cloud Atlas was a drama? A love story? Yes, I said, and comedy, action, and science fiction. What it doesn’t have--pace a raft of dodgy metaphysical messages--is a point. But so what: This is a three-hour storytelling feast of pure bravura. If you have a comfortable theater seat and an empty bladder, sit back and be enthralled. (****)
  • Les Miserables
    [A hard slog] The musical Les Miserables was born of the artifice and distance of the stage, but the film drops us right into extreme squalor and aching poverty, and being so close to that much suffering and dirt was a bit overwhelming for a fastidious and sensitive soul like me. Things move slowly when sung, so there was lots of time to think that the same inequality-induced suffering continues today in the Paris banlieues (and for the homeless in Tokyo parks), and that the bloody fight for freedom and justice is an endless one, with Syria the latest example. This long musical is creaky and only sporadically tuneful, but the film is magnificently staged, acted and sung. And I might have actually enjoyed it if it had been trimmed by an hour. (**)
  • Silver Linings Playbook
    [Great fun] This is a rom-com but one that journeys very far from the genre before getting reeled in. Snappily made, superbly acted and with music that Danny Boyle would be proud of, it's bracing, hilarious and always surprising. (****)

Things NC Consumed Recently

  • F. Scott Fitzgerald: The Great Gatsby
    More than forty years on since my last reading, this classic novel is remarkable not so much for its romantic longings as for its emphasis on American violence, its depiction of a country in which California hardly matters and its meeting of the Mid West and East Coast. Plus its succinct nine chapters, its elegant prose and its almost noirish tone: Tom breaking Myrtle's nose would seem to foreshadow Lee Marvin throwing hot coffee in Gloria Grahame's face in The Big Heat - and the use of flashbacks helps too. I'd like to thank the publicity for the recent film version and my current cold for sending me back to the novel (and my young self).
  • Isabelle Eberhardt
    In 1904, Isabelle Eberhardt drowned in the desert, leaving behind, among other things, various writings in French (a novel, travel notes, a journal, short stories), Islam, Lake Geneva, a husband, debauchery in kif, sex and alcohol, and a small collection of male clothing, which she wore habitually, along with her man's name. The lazy say she was an early hippie, because of her nomadic, hedonistic life, and being the first one to die at 27. Lindqvist has her in a line from Villon, Baudelaire, Rimbaud, Celine and Genet. Her story can only get stranger and more fascinating. "In The Shadow of Islam", "The Passionate Nomad", "The Oblivion Seekers" and Annette Kobak's biography are one way in. You'll find there an apt fatal romanticism for vast desert spaces and a depiction of Islam to ponder. Among other things.
  • Listen to Britain - Humphrey Jennings
    Terence Davies is surely right to say Listen to Britain is in part an attempt to define the nation on the eve of its being invaded. But that invasion never came. A little prematurely, Humphrey Jennings's film records what left later, with something messier, less defined usurping through the back door. Terence Davies is surely right to say Listen to Britain is one of the greatest things these islands have produced.
  • Patience (After Sebald)
    Grant Gee's documentary uses a palette of pale black and white, maps and talking heads to comment on W.G. Sebald's The Rings of Saturn, an account of his walk through Suffolk. Unlike the book, where a variety of genres (and photographs) coheres to make a recognisable whole, the film suffers slightly from a lack of direction. It is too specific to serve as an introduction and lacks an overriding arc that might describe a thesis. However, with its archival footage, interviews with the author and shots of the route taken, it is essential viewing for those already in thrall to all things Sebaldian - even if the ending, alas, veers close to Conan Doyle and fairies-in-the-garden territory.
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